Showing posts with label traditions. Show all posts
Showing posts with label traditions. Show all posts

Friday, 21 June 2013

Places we are visiting this month in the North East!


House of Objects
For four Saturdays in June, House of Objects Creative Recycling Centre at the Rising Sun will open its doors for visitors to come and explore its Aladdin’s cave of weird and wonderful recycled materials and get creative in its specialist studio space. The theme for each week will be a particular object of significance that was invented or developed in the North East. For more information click here.
NOTE - House of Objects receive old/waste/unwanted (but still useable!!) materials, so if you are a company, shop or artist clearing out your studio then get in touch with them!!

Heritage Skills Festival
Heritage Skills Festival returns to Tynemouth Station on 28th-30th June, offering visitors a chance to try their hand at a wide range of heritage crafts such as stonemasonry, green woodworking, blacksmithing, lime mortar, leather working and much, much more.  Working with professionals, you’ll also get the opportunity to get advice and learn more about the heritage of the North East. Event information

Baltic Artist’s Book Fair
Festival of the North East event – the artist’s book fair at the Baltic in Gateshead, on 14th & 15th June.  further info 

Tuesday, 17 January 2012

Our Artwork/ New ideas - how has this developed our arts practice?

It was quite a struggle to spend lots of focused time on making artwork when there was so much to take in and adjust to in Peru. We were out of the studio for 1 week in Chazuta and also spent a lot of time organising the Lamas event, updating the blog etc. That said, the inspirational surroundings and unique culture of the place meant that you couldn’t help but want to respond creatively to it.
Land Art/Natural Sculpture: We experimented with our first land art pieces which was exciting. There was a real sense of connection between the people and the environment where we stayed and this definitely rubbed off and made you think of how disconnected we are to our plants and animals in UK. We tracked a dried up channel from the main river near our studio and installed a pink line of petals from the Palmarosa tree along where the river use to run- the contrast of the bright pink petals against the mossy green rocks looked amazing. Weirdly, 4 days before we left there was a terrible storm and the river broke its banks filling the dried up river bed and washed away our Palmarosa line. The locals said the last time the river had done this was 11yrs ago and then again 100 yrs before that!




Film/Sound work: We also captured a massive amount of film and sound footage. The jungle was so filled with life and the staggered noises of frogs, crickets, bats, dogs and cockerels created a sound piece every night! Ants and butterflies were great to try and capture too- we are going to use our footage to develop an installation which will attempt to recreate our experience.
Ceramics: The potential of ceramics is also something which became clear when we worked with the ceramicists in Chazuta. It was so refreshing to be hands on with the material and we began making casts of the local environment. We want to continue this in the UK and any other travels to build up a giant clay picture of different places. We also want to explore the idea of the boundary between practical pottery or craft and when it can become art - thinking about pushing the material to its limits or creating a pot which doesn’t function as a pot etc. We are looking at sourcing clay in the UK and if there are places to collect and prepare it ourselves as the ceramicists in Chazuta do. We also used the process of making wishing pots in the plaza to interact with the local community in the village- this was an interesting experience and something the local children found intriguing!
 
 


Weaving:
We met someone in the village who wove with discarded plastic sourced from the nearby town who had ingeniously taught himself to make baskets. Chumbie weaving (colourful belts hand woven from cotton) is also a beautiful and skilful indigenous craft and both methods have inspired many ideas in us to do with weaving different materials to create vessels of some kind. We had visions of creating a giant water catcher installation.



Natural pigments: We collected lots of stones from the river which we have crushed to create painting pigments and plan to test these out back in the UK and see what we can find locally which can be used in the same way.
Paper Making: Having made our very own paper in Chazuta we are now looking to sculpt with the sheets in some way, the paper is so thick and has such a tactile quality that we are going to experiment in 3D with it to see how far we can push the material

As well as the skills and crafts we were also inspired by the people we met and worked alongside. Sachaqa Arts Centre allowed us to work alongside a variety of artists, all unique in their artforms, experiences and ideas and all of whom made our time in Peru the fantastic journey that it was.
Lena Huber is a photographer and writer from Switzerland. Lena really inspired us by her refreshing approach to life, a free spirit and one of those rare people in life that can truly be inspired and interested in anything that she comes across. http://www.sachaqacentrodearte.com/page3.php
Jaime Miranda a sculptor from Lima, Peru. Jaime recently studied at Chelsea College of Art, London and has an amazing talent as a sculptor. Jaime was a great person to talk to about anything and everything and put us in touch with some fantastic people in Lima. We really hope to work with Jaime again in the future. www.jaimemiranda.com/index.htm
Trina Brahman, painter and founder of Sachaqa Centro de Arte, originally from Bradford, England Trina was very inspirational to spend time with and allowed us to see and understand different ideas on life. Trina paints visions that she experiences using natural pigments and attributes these experiences to living in the jungle, feeling a close connection to nature is important to her work. Trina has a unique approach to painting and really believes in her art, the centre and the life she is building in the highlands of Peru with her husband Daniel Lerner and baby Jacob. http://www.sachaqacentrodearte.com/page3.php


LAMAS SIN FRONTERAS / Lamas without Borders - Event review:

To pick up from the last post, and although we’re back in the UK still trying to digest our Peruvian adventure, we will tell you how the Lamas Sin Fronteras event was received on 6th November.  Firstly, this type of event, mixing art forms - traditional with modern, including participatory activities, was unprecedented in the San Martin region. We organised the event in partnership with Sachaqa Centro De Arte and Proyecto Cultural/Lamas Council (http://www.turismolamas.com/ and http://www.lamastrespisos.com/ ).
The event aimed to celebrate the culture of Lamas and the San Martin Region and bring the idea of different culture and crafts to the forefront of people’s minds. We presented a mix of traditional and modern art practices from the local area as well as from Lima, the UK and Switzerland in order to showcase the differences and similarities. Demonstrations from local artisans sat alongside workshops and exhibitions by students and local and international artists as well as music and traditional dancing from local young people. We also included a presentation of traditional crafts from around the world (by Sam Taylor as part of the en-compass project - www.en-compass.ac.uk) and a demonstration of Yoga which was something brand new to this audience.
100’s of people gathered over the course of the day in Lamas’ main plaza and looked, questioned, learned, relaxed and took part.
Later in the day, after people had time to take everything in and (hopefully) feel inspired, we arranged a Factory Night. This concept involves bringing creative people together in an interesting space, venue or site and allowing them to talk and exchange ideas. It works very well in the UK but we were nervous of how it would be received as people told us that Peruvians are very shy. We needn’t have worried though as after we announced to the crowd the concept of Factory Nights they really got involved. They loved the art materials and spread out all over the plaza and drew, sketched, took photos, it was like a big art making session! It made a great end to the day. Lamas Council was so happy that they want the event to run every year and are set to make it an annual get together of any creative people to exchange ideas and experience art on the street

 
See more images on flickrTRANSPORTERproject